The following year he went on tour to Italy, giving highly successful concerts in Rome, Naples, and Milan. A virtuoso on his instrument, he was known as the "Sarasate of the guitar". Dort lebten auch Isaac Albéniz und Enrique Granados sowie Joaquín Turina und Pablo Casals, mit denen er enge Freundschaften schloss. Francisco Tárrega gilt als Begründer des modernen Gitarrespiels. B… Others say this was related to his childhood trauma. Francisco de AsÃs Tárrega y Eixea (21 November 1852 â 15 December 1909) was a Spanish composer and classical guitarist of the Romantic period. For a time, he played with other musicians at local engagements to earn money, but eventually he returned home to help his family. For a time, he played with other musicians at local engagements to earn money, but eventually he returned home to help his family. Both his first music teachers, Eugeni Ruiz and Manuel Gonzalez, were blind. WhatsApp. Pinterest. Tárrega preferred small intimate performances over the concert stage. Neben dem Adagio und Allegretto aus Beethovens Mondschein-Sonate und anderen Klaviersonaten, den Préludes von Chopin sowie anderen Klavierwerken von Schubert, Mendelssohn u.a. Francisco's nickname as a child was "Quiquet". A virtuoso on his instrument, he was known as the "Sarasate of the guitar". They advised him to capture that moment of sadness in his music. He had brought along with him a recently purchased guitar, made in Seville by Antonio de Torres. Tárrega received much acclaim for his playing and began traveling to other areas of Spain to perform. Diese Gitarre unterschied sich deutlich von den bisherigen Instrumenten, sie war außergewöhnlich kräftig und klangvoll. The following morning he composed his famous Danza Mora based on that rhythm. In January 1906, he was afflicted with paralysis on his right side, and though he would eventually return to the concert stage, he never completely recovered. Your family, perhaps?" On a concert tour in Valencia shortly afterward, Tárrega met a wealthy widow, Conxa Martinez, who became a valuable patron to him. Born in Villarreal, Spain, he fell into an irrigation channel when he was young, which rendered him nearly blind. FRANCISCO TÁRREGA (1852 - 1909) The Spanish composer and guitarist Francisco Tárrega is principally known for his contribution to guitar repertoire; he was materially assisted in his career as a performer by the development of a guitar of greater resonance. He later settled in Barcelona, and died there in 1909. Let us know what you think of the Last.fm website. At Christmas 1882 Tárrega married María José Rizo. Die Orgel, ob Kirchen- oder Konzertorgel, ist nicht nur ein Instrument, sondern immer auch Teil der Architektur des Raumes, in dem sie steht und erklingt. Noch zwei weitere Male lief er von zuhause fort, bevor er von 1874-77, gefördert von dem reichen Kaufmann Antonio Canes, das Konservatorium in Madrid besuchte, wo er neben Gitarre auch Klavier und Musiktheorie studierte. The great Andrés Segovia used much of Tarrega's work on technique and many of his compositions to take the classical guitar into concert halls of Europe. She allowed him and his family use of a house in Barcelona, where he would write the bulk of his most popular works, including Recuerdos de la Alhambra. During the winter of 1880, Tárrega replaced his friend Luis de Soria, in a concert in Novelda, Alicante, where, after the concert, an important man in town asked the artist to listen to his daughter, María José Rizo, who was learning to play guitar. He was soon found and brought back to his father, who had to make great sacrifices to advance his son's musical education. From the later 1880s up to 1903, Tárrega continued composing, but limited his concerts to Spain. Among his most popular works for the guitar are Recuerdos de la Alhambra, Capricho Árabe and Danza Mora. They advised him to capture that moment of sadness in his music. Francisco Tárrega starb am 15. The following year he launched a tour of Italy, giving highly successful concerts in Rome, Naples, and Milan. In 1862, concert guitarist Julian Arcas, on tour in Castellon, heard young Francisco play and advised Tárrega's father to allow Francisco to come to Barcelona for study with him. Man nennt sie die "Königin der Instrumente". He was central to reviving the guitar as a solo instrument in recital and concerts. Email. Im Winter 1880 lernte er seine spätere Frau Maria Josefa Rizo kennen, die er an Weihnachteten 1882 heiratete. Both his father Francisco Tarrega-Tirado and his mother Antonia Eixea-Broch were working as housekeepers for the Mothers Clarisas. He had brought along with him a recently purchased guitar, made in Seville by Antonio de Torres. After playing in London he returned to Novelda for his wedding. Francisco Tárrega was an important Spanish composer whose music and style of guitar playing became strongly influential in the 20th century. On a concert tour in Valencia shortly afterward, Tárrega met a wealthy widow, Conxa Martinez, who became a valuable patron to him. During the winter of 1880, Tárrega replaced his friend Luis de Soria, in a concert in Novelda, Alicante, where, after the concert, an important man in town asked the artist to listen to his daughter, María José Rizo, who was learning to play guitar. Twitter. Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Its superior sonic qualities inspired him both in his playing and in his view of the instrument's compositional potential. Francisco de Asís Tárrega y Eixea (21 November 1852 – 15 December 1909) was a Spanish composer and classical guitarist of the Romantic period. He entered the Madrid Conservatory in 1874, under the sponsorship of a wealthy merchant named Antonio Canesa, where he studied composition under Emilio Arrieta. Read about our approach to external linking. Vila-real, Castellón, Comunidad Valenciana, Spain. He was taught his first lessons on guitar by Eugeni Ruiz, a blind musician. Francisco's nickname as a child was "Quiquet". Mit zehn Jahren riss Tárrega zum ersten Mal von zuhause aus, um sich als Musiker in Salons und Caféhäusern durchzuschlagen. Amongs the guitars used by Tárrega, one finds: Tárrega, F.Recuerdos de la AlhambraNikita Boldyrev, Dvořák, A.Czech Suite in D majorWinterthur Musikkollegium, Beethoven, L. vanPiano concerto No. On a concert tour in Valencia shortly afterward, Tárrega met a wealthy widow, Conxa Martinez, who became a valuable patron to him. As well as his original works for the guitar, which include Recuerdos de la Alhambra, Capricho Árabe and Danza Mora, he arranged pieces by others for the instrument, including works by Ludwig van Beethoven, Frédéric Chopin and Felix Mendelssohn. He is known for such pieces as Recuerdos de la Alhambra. they asked him. AGBs
Because of his parents jobs, little Francisco was taken care by a baby-sitter. After playing in London he came back to Novelda for his wedding. It is said that Francisco's father played flamenco and several other music styles on his guitar; when his father was away working as a watchman at the Convent of San Pascual, Francisco would take his father's guitar and attempt to make the beautiful sounds he had heard. He wrote nearly 80 original works for the guitar and over 100 transcriptions, mostly of piano pieces by Chopin, Beethoven, and others. By the end of the 1870s, Tárrega was teaching the guitar (Emilio Pujol, Miguel Llobet, and Daniel Fortea were pupils of his) and giving regular concerts. His music also inspired Mike Oldfield, whose Etude (The Killing Fields) is based on Tárrega's piece for solo classical guitar Recuerdos de la Alhambra (Memories of the Alhambra). He also played in London, but he liked neither the language nor the weather. Read Full Biography. In 1900 Tárrega visited Argel, where he heard a repetitive rhythm played on an Arabian drum. The noted contemporary guitarist and composer Angelo Gilardino has written that Tárrega's 9 Preludios are "… the deepest musical thought of Tárrega in the most concentrated form.". By the end of the 1870s, he was teaching the guitar (Emilio Pujol and Miguel Llobet were pupils of his) and giving regular concerts. As with several of his Spanish contemporaries, such as his friend Isaac Albéniz, he had an interest in combining the prevailing Romantic trend in classical music with Spanish folk elements, and transcribed several of Albéniz's piano pieces. Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Francisco Tárrega was an important Spanish composer whose music and style of guitar playing became strongly influential in the 20th century. Both his first music teachers, Eugeni Ruiz and Manuel González, were blind. 1885 zog das Ehepaar nach Barcelona. The contemporary guitarist and composer Angelo Gilardino has written that Tárrega's 9 Preludios are "... the deepest musical thought of Tárrega in the most concentrated form.". Tárrega was born on 21 November 1852, in Villarreal, Province of Castellón, Spain. Tárrega and his wife moved to Madrid, but after the death of an infant daughter, Maria Josefa, they settled permanently in Barcelona in 1885. Its superior sonic qualities inspired him both in his playing and in his view of the instrument's compositional potential. In about 1876, Tárrega began teaching and giving regular guitar concerts. By his early teens, Tárrega was proficient on both the piano and the guitar. His father looked for him and brought him back home once more, but he ran away a third time, again to Valencia. Both his first music teachers, Eugeni Ruiz and Manuel González, were blind. His father looked for him and brought him back home once more, but he ran away a third time, again to Valencia. Paquito (Francisco), Maria Rosatia (María Rosalia) (best known as Marieta) and Concepción. Tárrega's father agreed, but insisted that he take piano lessons as well. He finished his last work, Oremus, on December 2, 1909. Francisco Tárrega gilt als Begründer des modernen Gitarrespiels. All user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. Three years later, in 1865, he ran away again, this time to Valencia where he joined a gang of gypsies. By his early teens, Tárrega was proficient on both the piano and the guitar. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. In about 1902, he cut his fingernails and created a sound that would become typical of those guitarists associated with his school. By his early teens, Tárrega had become proficient on both instruments. 1906, auf der Höhe seines Ruhms, erlitt Tárrega einen Schlaganfall, der eine rechtsseitige Lähmung nach sich zog, von dem er sich nie mehr richtig erholte, auch wenn er noch in seinem Todesjahr als Gitarrist auf der Bühne zu erleben war.
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