Inspired by a project by Vincent Ward, it interested Zwick, with Ward later serving as executive producer. Find low everyday prices and buy online for delivery or in-store pick-up COPYRIGHT © HOLLYWOOD FOREIGN PRESS ASSOCIATION. It was nominated for several awards, including four Academy Awards , three Golden Globe Awards , and two National Board of Review Awards . Tom Cruise portrays a United States Captain of the 7th Cavalry Regiment, whose personal and emotional conflicts bring him into contact with samurai warriors in the wake of the Meiji Restoration in 19th century Japan. Katsumoto, to his dismay, discovers that the young and inexperienced Emperor has essentially become a puppet of Omura. The Last Samurai is a 2003 American period action drama film directed and co-produced by Edward Zwick, who also co-wrote the screenplay with John Logan and Marshall Herskovitz. "The Last Samurai" is as rich in period and historical background as it is deficient in fresh dramatic and thematic ideas. Directed by Edward Zwick. A mortally wounded Katsumoto commits Seppuku with Algren's help as the soldiers at the scene kneel in respect. The Last Samurai is a 2003 American epic war film directed and co-produced by Edward Zwick, who also co-wrote the screenplay with John Logan. [9] At Metacritic, which assigns a weighted mean rating out of 100 to reviews from mainstream critics, the film received an average score of 55, based on reviews from 43 critics, indicating "mixed or average reviews". The historical roles of other European nations who were involved in the westernization of Japan are largely attributed to the United States in the film, although the film references European involvement as well. This acted as a backdrop for many scenes, as opposed to the built up cities of Japan. Jeffrey A. Okun, Thomas Boland, Bill Mesa, Ray McIntyre Jr. It is also influenced by the stories of Jules Brunet, a French army captain who fought alongside Enomoto Takeaki in the earlier Boshin War and to a lesser extent by Frederick Townsend Ward, an American mercenary who helped Westernize the Chinese army by forming the Ever Victorious Army. He was opposed to the excessively rapid changes in Japanese society and was particularly disturbed by the shabby treatment of the warrior class." Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist. Omura sends assassins to kill Algren, but Algren kills them. Days later, as trade negotiations conclude, Algren, though injured, arrives and interrupts the proceedings. Set in Japan during the 1870s, The Last Samurai tells the story of Capt. Algren finds the Imperial soldiers are actually conscripted peasants that have no knowledge of firearms or battle. The film also misses the historical reality that many Meiji policy advisors were former samurai, who had voluntarily given up their traditional privileges to follow a course they believed would strengthen Japan. Take your favorite fandoms with you and never miss a beat. The Emperor realizes that while Japan should modernize, it cannot forget its own culture and history; he promptly rejects the trade offer. Ward became executive producer on the film – working in development on it for nearly four years and after approaching several directors (Francis Ford Coppola, Peter Weir), until he became interested with Edward Zwick. The Last Samurai grossed a total of $456 million[2] at the box office and was well-received upon its release, receiving praise for the acting, writing, directing, score, visuals, costumes and messages. Katsumoto requests a meeting with Emperor Meiji and is given safe passage to Tokyo. "[7], Todd McCarthy, a film critic for the Variety magazine, wrote: "Clearly enamored of the culture it examines while resolutely remaining an outsider's romanticization of it, yarn is disappointingly content to recycle familiar attitudes about the nobility of ancient cultures, Western despoilment of them, liberal historical guilt, the unrestrainable greed of capitalists and the irreducible primacy of Hollywood movie stars.

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